Aditya Dhar’s Dhurandhar is a film that refuses to be contained by the grammar of a conventional spy thriller. Instead, it sprawls, visually, thematically, and narratively, into a dark, ambitiou...

Jithin K Jose approaches the crime genre with a preference for silence over noise; and observation over spectacle. Kalamkaval carries that sensibility throughout its runtime. It’s a film that bu...

quick take:Akhanda2 has high-octane action sequences but falters from underwhelming writing and patriotic fervour. Usually, the Telugu mass masala cinema is unsubtle while dealing with all sorts of ba...

A decade after the original turned improbable polygamy into box-office-friendly farce, Kis Kisko Pyaar Karoon 2 returns with a sequel that is cheerfully unaware of logic, merrily unconcerned with plau...

Tisca Chopra’s Saali Mohabbat unfolds like a whispered confession, quiet, unhurried, deceptively simple, and ultimately disarming in the way a proper domestic noir ought to be. What begins as th...

After being closed for over a hundred years, Starfleet Academy is reopening its doors to those who wish to pursue a career as Starfleet Officers. Star Trek: Starfleet Academy will follow a new group o...

James Cameron has spent more than a decade planning and making the Avatar (2009) sequels. The latest and third entry into the Avatar series of movies is called Avatar: Fire And Ash, and the film looks...

Raat Akeli Hai: The Bansal Murders (2025) is not merely a sequel, it is an attempt to depart from the formula. Director Honey Trehan and writer Smita Singh return to the morally murky universe they fi...

Tu Meri Main Tera Main Tera Tu Meri arrives wrapped in the comforting sheen of a Christmas-season romantic comedy, all glossy frames, postcard-perfect locations, hummable melodies and the promise of e...

The comedy horror genre might be booming in India with films like Stree, Munjya, Thama and more, but Hollywood has been taking note of the same too. So the writers and makers in LA have dipped their t...